Power Star Pawan Kalyan makes a grand return to the big screen with OG, directed by Sujeeth under DVV Entertainment. Packed with stylish action, Thaman’s thumping background score, and Pawan’s trademark screen presence, OG aims to satisfy fans who have long awaited his mass avatar. Here’s the complete OG Movie Review.
OG Movie Review
Plot Overview
Satya Dada (Prakash Raj) builds a port in Mumbai, where his son Parthu (Venkat) manages operations. One day, a container arrives filled with deadly RDX explosives. Fearing disaster, Satya Dada hides it. The container, however, belongs to dreaded mafia don Omi (Emraan Hashmi). He first sends his brother Jimmy (Sudev Nair) to recover it, and later enters the battle himself.
As tensions rise, Jimmy kills Parthu and goes after Satya Dada. Geetha (Sriya Reddy) believes only OG can protect Satya Dada. But OG left Mumbai 15 years ago, living peacefully with his wife Kanmani (Priyanka Mohan) and daughter Tara. When OG learns of Satya Dada’s plight, he is forced to return. However, Arjun (Arjun Das), Geetha’s son, burns with vengeance against OG. The mystery of OG’s past, his connection to Satya Dada, and Omi’s real intentions form the crux of the film.
Performances & Characters
- Pawan Kalyan dominates the screen with his stylish looks, charismatic presence, and commanding screen space. His action and dialogue delivery bring back his trademark flair.
- Emraan Hashmi impresses as the ruthless mafia don, adding menace to the narrative.
- Prakash Raj and Sriya Reddy deliver notable performances, though Sriya’s role could have been stronger.
- Arjun Das gets a revenge-driven track, but it feels underdeveloped.
- Priyanka Mohan appears as the female lead but is limited to a minor presence.
OG Movie Review: Direction & Screenplay
Director Sujeeth crafts the film with fast-paced screenplay, focusing heavily on Pawan Kalyan’s stylish projection. While the story itself isn’t fresh, Sujeeth ensures fan service with whistle-worthy action sequences. The Japan–Tokyo introduction sequence feels confusing, but once the narrative settles, it races ahead.
OG Movie Review: Technical Aspects
- Music: Thaman’s background score is the soul of OG, elevating the action and emotional beats to the next level.
- Cinematography: Ravi K. Chandran and Manoj Paramahamsa deliver striking visuals that enrich the period backdrop spanning the 1940s to the 1990s.
- Editing: Naveen Nooli’s editing is functional, though the film feels slightly stretched at places.
Action Sequences
Designed with martial arts influence, the sword, knife, and gun-fights keep fans hooked. Sujeeth builds towering action around minimal emotional core, satisfying mass audiences.
OG Movie Review: Verdict
OG thrives on Pawan Kalyan’s power-packed presence, stylish action, and Thaman’s electrifying score. While the story is routine and secondary characters lack depth, Sujeeth’s focus on Pawan ensures fans get what they’ve been missing. For admirers of Power Star, OG is a feast.
Final Box
Movie Name: OG
Release Date: September 25, 2025
Cast: Pawan Kalyan, Priyanka Mohan, Prakash Raj, Emraan Hashmi, Sriya Reddy, Arjun Das
Director: Sujeeth
Music: Thaman
Banner: DVV Entertainment
FAQs on OG Movie Review
Q1: What is OG movie about?
OG is an action drama set against the backdrop of Mumbai’s mafia wars, where Pawan Kalyan plays a stylish hero returning to protect his mentor Satya Dada.
Q2: Who directed OG?
OG is directed by Sujeeth, known for his stylish action-driven narratives.
Q3: Who are the main actors in OG?
The film stars Pawan Kalyan, Priyanka Mohan, Prakash Raj, Emraan Hashmi, Sriya Reddy, and Arjun Das.
Q4: How is Thaman’s music in OG?
Thaman’s background score is one of the film’s strongest assets, intensifying both action and drama.
Q5: Is OG worth watching?
Yes, especially for Pawan Kalyan fans, as the film delivers on his style, action, and mass appeal.
Disclaimer on OG Movie Review
This review is based on critical analysis of the film’s content, performances, and technical aspects. It is intended for informational purposes only and does not reflect promotional bias.